Most
work undertaken by media companies or freelancers are mainly produced for a
client. The media companies or
freelancers normally have a client brief to work with, the client may be very
certain about their ideas which will make the brief very rigid and
un-negotiable however some clients maybe very negotiable and open to any ideas
from the company or freelancer. The client may give the employee a budget to
work with, the employee has to stick to this budget and make sure they can
complete the project with the specified amount.
There
are a number of different types of briefs in the media industry; the most
common types are;
Contractual - a
contract between the commissioner and the producer is present in this brief.
Negotiated -
the content or cost of the production can be negotiated between the
commissioner and the producer.
Formal - these
briefs are written using professional and precise language and often to strict
legal guidelines.
Informal -
these briefs are written very informal so that it is open for the client and
producer can discuss and develop ideas in a very relaxed environment.
Commission - this
is where the client asks the contractor to submit ideas for a project to a
specified cost.
Tender - several
prospective contractors provide an estimated and discuss how the product might
be produced. The proposals are discussed by the commissioner and one of the
tenders chosen.
Co- operative - this
brief is shared with other producers, they each take charge of one section of
the project.
Competition - this
brief provides details of what you have to do by a certain time, there is
usually a prize awarded for be product.
Pre- Production
It
is important that you understand the brief given so that when producing the
product it is exactly what the client wants and can use. In order to finish the brief you will need to
go through 3 different stages;
·
Pre - Production (Planning the production
and making sure all paper work such as risk assessments and call sheets for
artists are complete)
·
Production (filming the clients project)
·
Post - Production (Editing and adding
effects to make the final outcome)
Once you have found out what the client
wants in the brief, you can start to discuss and negotiate ideas. Sometimes you
may need to come up with other ideas or come up with a different approach to
the client’s original idea to make it work. From the beginning of the project,
you need to ensure that the client understands the implications of issues such
as; copyright, post production time, insufficient budget, over ambitious
expectations and any other practical problems you may face.
It is also essential you plan your
production carefully and to a organised schedule to make sure that the client
receives the product finished and on time.
A
successful production relies heavily on pre- production to make sure everything
is in place and on time, this may include actors, props, locations etc. During
the pre-production stages it is important that health and safety is taken in to
consideration. Risk assessments must be completed for a production to take
place; cast, costumes, locations and make up must be reviewed to make sure
there are no health and safety regulations during the filming process. Risk
assessments may include;
·
Assessing
when and where team members might be at risk
·
How
these risks could be minimised
·
What
precautions should be considered prior to production and post-production
·
Who
will be responsible for health and safety on and off set
Communicating with the
client
You
must communicate with your client throughout the production process to make
sure that you are doing everything right and sticking to their brief, they need
to be informed of progress and any potential problems you may face.
There
are a number of ways a brief can be communicated with you and the client, you
may;
·
Have an initial meeting with the client or
broadcaster
·
Communicate verbally by telephone
·
Communicate with the client by email or
post
·
Meetings can be arranged throughout the
production process
Broadcasters
such as the BBC, Channel 4, Channel 5, ITV and Sky sometimes hold briefing days
where they give presentations about what they are looking for and what type of
companies or freelancers they need to work on the brief. Having a professional
relationship between you and the client is essential because they reply on you
to make the finished product how they imagine to it be and achieve what it is
originally set out to do. It is important to ask questions about the brief, at
the briefing day or initial meeting, and listen carefully to the client to
understand what success they want to achieve.
Recruiting the right team
Recruiting
the right team when working to a brief is essential. To achieve the best final
product for the client it is important you recruit the right people to work
with you to, sometimes you may consider;
·
Working with people you have worked with
before
·
Advertising and interviewing individuals
you may think are suitable for the brief
·
Employ freelance personnel
·
Working with people who have been
recommended
·
Choosing people to work with because of
their knowledge or experience
The
crew’s requirements on a brief can vary a lot. In television, there will often
be a core team working on the project to make sure that all aspects run
smoothly. As the production progresses, more team members and experts will
generally be recruited at various stages to help with any aspects of the
project. Each member of the team will bring a different skill to the project to
make sure that it is completed the way the client wants.
When
working to a brief you may come across a lot of limitations and requirements
which may force you to change ideas or come up with different approaches for
the chosen idea. Keeping in contact throughout the project is very important to
make sure they know what stage the brief is up to as well as making sure you
are achieving what the clients what’s the product to be like.
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